《大教堂阴谋》合唱团的戏剧功能
摘要
里关于暗算大主教托马斯•贝克特的历史事件。该剧的合唱团是贯穿整部诗剧的基础,它的和音随着剧情的发展而
改变,为情节提供评论,并在观众和人物角色、情节之间建立起一种联系。它扮演着将每个片段以高度组织化的顺
序串联起来的重要角色。因此,本论文主要研究该诗剧合唱团的作用。通过合唱团的演绎,整部诗剧的情节得以有
效地发展。该论文从以下几个方面来分析合唱团在《大教堂阴谋》中的作用:以解说员的身份来讲述这个故事,揭
示戏剧的主题,提高戏剧的表现效果和宗教意蕴。
关键词
全文:
PDF参考
[1]Auden, Wystan Hugh.“The Martyr as dramatic Hero.”
Secondary Worlds. London: Faber and Faber. 1967.
[2]Eliot.T. S. Murder in the Cathedral. London: Faber
and Faber. 1965.
[3]Gardner, Helen. The Art of T. S. Eliot. London: Lows
Brydone Ltd. 1968.
[4]Halliday,M.K.Language as Social Semiotic: The
Social Interpretation of Language and Meaning.London:
Edward Arnold,1978.
[5]Hoellering, George. T.S. Eliot: A Symposium for His
Seventieth Birthday. New York: Books for Libraries, 1968.
[6]Kurt Tetzeli von Rosador,‘Christian Historical Drama:
The Exemplariness of Murder in the Cathedral’, Modern
Drama, 29 (1986)
[7]Ronald Bush, T. S. Eliot: A Study in Character and
Style. New York, 1983.
[8]Smith, Carol H. T. S. Eliot’s Dramatic Theory and
Practice. Princeton, New Jersey: Princeton University Press.
1967.
[9]Smith, Grover. 1956.“Action and Suffering: Murder
in the Cathedral.”T. S. Eliot’s Poetry and Plays. Chicago,
Illinois: The University of Chicago Press.
[10]Tilak, Raghukul. 1992.“Greek Criticism: Aristotle.”
History and Principles of Literary Criticism. New Delhi: Rama
Brothers.
DOI: http://dx.doi.org/10.12361/2661-376X-04-14-89770
Refbacks
- 当前没有refback。